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The software actually gets quite ornery when you install third-party software, notifying you that there may be conflict and asking if you want to restore the system to the original build.įigure 2. Though both systems run Windows, with the TriCaster 40 you barely notice once you take care of housekeeping functions like connecting to a LAN, you stay in the TriCaster interface.
#Newtek live video mixer systemname pro
For my personal needs (assuming I could install four Blackmagic Intensity Pro cards in a single computer) the Blackmagic cards cost about $189 each, so I could have shaved about $850 of the total cost, for a total system cost of around $4,050. This maps most closely to the TriCaster 455, which offers 4 camera inputs, including HD-SDI, but costs around $16,000.
#Newtek live video mixer systemname windows 7
Other vendors, like ViewCast, offer two channel cards, but Livestream only works with Blackmagic, so you’re limited there as well.įor the record, the complete bill of materials for the Windows 7 system Livestream sent me was $4,890, which included about $1,285 for the DIY computer, $1,999 for Studio, and $1,605 for the Blackmagic Design Quad-SDI and Studio 2 cards. To be fair, however, with Livestream, I could build my own system with analog inputs, and I certainly would include more than the two audio inputs afforded by the TriCaster 40, neither of them XLR.ĭensity could be an issue though BlackMagic offers a quad-input card for HD-SDI, to the best of my knowledge, all analog inputs are single channel only, so getting four cards in a system could be a problem. The first major difference between the two products is the sales model NewTek sells complete systems, while Livestream sells software that works solely with Blackmagic Design’s highly-regarded hardware, as well as one system, the Studio HD500, which is expected to be augmented with other options soon.īy design, the TriCaster 40 is focused on producers with analog gear, and as a shop who hasn’t upgraded to gear with HD-SDI output, I appreciate that focus. A glamourous production via the Livestream Studio program. So the ideal reader of this article is someone who’s considering buying a video mixer for live events, has heard about the TriCaster and Livestream Studio, and wants to know how they compare.
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On the other hand, 99% of live event webcasting is setting up the right audio channel at the start, clicking the Stream button to get that going and mixing cameras during the event, and hey, I know how to do that much. TriCaster is deep enough to produce television episodes for broadcast, and the person who drives the TriCaster for those types of events dwarfs my knowledge and skill levels. So, I’ll try to ignore the input/hardware related observations and focus on the software.Second, though I’ve mixed a few (he said with deliberate lack of specificity) live events with several different systems, including various versions of the TriCaster, I am far from an expert. From a hardware perspective, the two systems don’t correlate: The Studio system that Livestream sent me was a four-channel HD-SDI system that more closely mapped against some of NewTek's higher end systems. There are many, many caveats, so let me start there.

Fortuitously, the day that the new Studio box appeared on my doorstep, I was just finishing a review of the TriCaster 40 (TC40), a $4,995, four-channel analog-only system. NewTek’s TriCaster has owned the high end of the live event mixer market for so long that any newcomer, like Livestream’s new Studio software, has to be compared against the incumbent.
